For each movie in the “Denis 2049” series, Taylor and Sam will sit down and bounce some thoughts off each other, off-mic. Their brilliant minds will unleash many words. Make of them what you will. This time: “Sicario” (hijacked!).
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No prep, no outlines, just pen to paper. I respect that. I’m also a genius, and that’s what it takes to understand the modern-day “No Country For Old Men”/“There Will Be Blood” masterpiece that is “Sicario,” so I’m just gonna jump right in and defend you against all the BS criticism.
This is a tale of men (and women, but mostly men cause women are weak) fighting to make our streets safe but more importantly getting revenge for specific personal sins against themselves. Women can come along to watch for “equality” to tell us what they think we’re doing wrong and when they tell us what they think we’re doing wrong we tell them to go to hell cause they don’t know what they’re talking about.
You know what they say about life: Everything is personal, and men are strong. This is a movie for wolves, not sheep. Have you ever smelled a burning sheep? I have.
This is the best movie of at least the last two centuries. The only issue I have with is the line, “Time to meet God.” That’s dumb because there is no God and also time is a flat circle, but I guess that is what also makes it brilliant since it’s working on so many different levels like that.
Anyway, I was almost as impressed with this movie as I was with “True Detective” Season Two.
Love you bro,
It’s me, Academy Award-nominated screenwriter and creator of “Sicario,” Taylor Sheridan.
Thanks for reaching out and writing that letter. You and I are my two biggest influences, so it means a lot to me that you’d think to write me about how good “Sicario” was.
I’m actually writing a second one now! It’ll have less women and even more of what you loved about “No Country For Old Men”: Josh Brolin and other people getting shot in and near Mexico. I’m hoping (fingers crossed) it’ll be my “True Detective” Season Two.
“Time to meet God” was actually my proudest moment writing “Sicario.” I tried to make Benicio del Toro (I think that was the character’s name, I haven’t seen the movie) as compelling and subtle as I could, you know? So to me, that line in a weird way kinda says, “I’m about to kill you.” Did you pick up on that? Cause right after he says that line, he kills them! Get it?
Man, I really hope we can work together in the future. Maybe we could work on a “Prisoners” sequel together. It would be so dark and violent the original would look like a Paul Dano rom-com. Or we could do a “There Will Be Blood” sequel so dark and violent the original would look like a Paul Dano rom-com!
I admire your work almost as much as my own, but there’s something you gotta know about me. I work alone.
That’s why I write complicated male characters who prefer to work alone and get wet on a series of bad habits once in a while. It comes from a real place, man. That’s what makes it work.
I tried working with a partner once – some asshole who had a girly first name and a last name of like a bombing site – that did not work out. The show we put out was the worst thing I’ve ever made.
You’re a writer. Think about the word writer, Sher. It’s a singular word. There can’t be two writers. That doesn’t make sense.
But I like you. Watching short YouTube clips of some of your work has made me think that we might really get along in a deeper way than anything I’ve ever experienced. Instead, I’ll have to just tell you a secret. Nobody knows this. I’ve already written Seasons 3 through 22 of “True Detective.” HBO just sucks.
Your “Sicario” sequel sounds sick as hell, bro. I’m all for less women, too, but make sure the ones you do have are basically dudes and/or topless randomly. See, the thing you need to learn is that women can be cool, you just have to remember they suck at everything. It’s science. (That’s what Season 6 of “True Detective” is about.)
Thanks for liking Season Two, by the way. It’s nice to hear the opinion of someone I respect other than myself. I’m glad you understood the point cause I’m sick of explaining it.
God, I’m a genius. Well, not God, but you know what I mean.
It’s okay if you want to work alone. I get it! I love working alone, too! It’s all I ever do.
My first acting project was on a show I started called “Walker, Texas Ranger” where me and Chuck Norris walk around Texas beating up bank robbers and kidnappers and Satan worshippers. It’s actually where I came up with the idea for “Hell or High Water.” There was a scene in the only episode I was onscreen for where they were like, “Hey, Taylor, in this scene we want you to talk to this guy or shake hands with this guy or something,” and I was like, “Whoa, wait a second. I work alone.” So that’s when I invented the green screen.
So maybe we could just work together through green screen?
Let me just pitch you my idea for “There Will Be Blood Two: Sangre.” (Sangre is Spanish for “blood,” according to Google Translate. [I wrote half of “Sicario” by just typing different names of drugs into Google Translate.]) Anyway, let me just pitch this and you can tell me if you want to help out.
Okay, so the original was pretty good. It had troubled powerful men with gristly voices. It had Paul Dano. It had Paul Dano playing his own twin! I didn’t understand most of it, but it was great.
My only problem is this, Nic. Where’s the blood? I was promised one simple thing going into this movie: Blood. It will be there. That’s literally what it says on the poster! I’m a big fan of posters saying what the movie is about (that’s why I loved “Harry Potter and the Chamber of Secrets” so much). But there wasn’t that much blood!
So my idea is to basically do the same thing as “TWBB1,” but instead of Daniel-Day Lewis as an oil tycoon, I’m thinking JOSH BROLIN, and he’s gonna play an FBI agent who’s seen some stuff but still has a sense of humor.
Let me know if you’re interested. By the way, what did you think of “Sons of Anarchy”? I was in that (tons of green screen).
Who is this? I’m busy.
Next up: “Arrival.”